A short text for the special feature on ‘Four Decades on Irish Sculpture’ in the recent (100th) issue of the Visual Artists’ News Sheet. Some scholars of the 1998 Good Friday Agreement hail it as a model of ‘constructive ambiguity’ — an artfully uncertain structure, open-ended enough to invite contrasting interpretations of its contents. Evasive language […]

For Paper Visual Art:

A short text published on the occasion of the exhibition ‘and the days run away like wild horses over the hills’, Scoil Lorcáin, Seapoint, Dublin, 31 July – 7 August 2019, curated by John O’Donoghue. All the stars are closer Lately, when I should be filling my time more productively, I’ve been playing with an […]